Albert also developed an alto clarinet in F, but without the additional basset notes typical of the basset horn notated C to it. Around 1890 the Belgian clarinet maker Eugène Albert or his son E.In 1829, Johann Heinrich Gottlieb Streitwolf, an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.The contra-alto clarinet is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: In ensembles it is usually used in unison with the other woodwind instruments, such as ( bassoon, bass clarinet and contrabass clarinet), or it plays the lower octave in addition. The repertoire for contra-alto clarinet in the symphony orchestra is limited. The contra-alto clarinet is often used in clarinet choirs and ensembles of clarinets and saxophones. It is a transposing instrument in E♭ sounding an octave and a major sixth below its written pitch, between the bass clarinet and the B♭ contrabass clarinet. The contra-alto clarinet, E♭ contrabass clarinet, is a large clarinet pitched a perfect fifth below the B♭ bass clarinet. Buffet Crampon contra-alto clarinet compared to a Selmer contrabass clarinet
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