2/21/2023 0 Comments Was eazy e gayGrace's version was produced by Quincy Jones, who also produced the original recording by Lesley Gore, and Parker Ighile. The song was covered by Australian singer and songwriter Grace and was released as her debut single. 8 on the Hot 100 with "Don't Just Stand There", which sounds very similar to "You Don't Own Me". On 14–21 August 1965, Patty Duke peaked at No. Aquila regards "That's the Way Boys Are" as one of several examples of Lesley Gore songs that regard women as dependents or passive objects, along with earlier singles " It's My Party" and " Judy's Turn to Cry." Musicologist Walter Everett described "That's the Way Boys Are " as one of the many 1960s sexist songs that "perpetuated a boys will be boys tolerance for male but not female infidelity." Music critic Greil Marcus also remarked on the way "That's the Way Boys Are" backs off from the "proto-feminist manifesto" of "You Don't Own Me" to a message of "he may treat you like garbage, but they're all like that, and we love 'em for it!" Of "That's the Way Boys Are", author Richard Aquila noted that the lyrics "voice the era's acceptance of sexual double standards," in contrast with the theme of Gore's previous single, "You Don't Own Me". Weekly charts Chart (1964)Īfter the success of "You Don't Own Me", many of Lesley Gore's other songs, including " That's the Way Boys Are", were eventually compared to it and criticized for not coming up to feminist expectations. It became Gore's second most successful hit after " It's My Party". The song remained at number two for three consecutive weeks, beginning on February 1, 1964, unable to overcome the Beatles' hit " I Want to Hold Your Hand". The song reached number two on the Billboard Hot 100 in the United States. Ĭash Box described it as "a throbbing, multi-track, ballad-with-a-beat on which emotionally declares her independence." Chart performance Gore said, "My take on the song was: I'm 17, what a wonderful thing, to stand up on a stage and shake your finger at people and sing you don't own me." In Gore's obituary, The New York Times referred to "You Don't Own Me" as "indelibly defiant". The song's lyrics became an inspiration for younger women and are sometimes cited as a factor in the second wave feminist movement. The song expresses emancipation, as the singer tells a lover that he does not own her, that he isn't to tell her what to do or what to say, and that he is not to put her on display.
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